Do not watch any other episodes from season three.You do not need to see both they are nearly identical. Prefer Clan Building if you have it, but don't worry too much if you don't. Either watch S3E1 "The Journey" or read Clan Building #1 and #2.Watch seasons one and two of Gargoyles, in order, without skipping episodes.*.I'm only mentioning this because you may see other people talking about it.Īnyway, enough logistics. The DVDs group the episodes more traditionally.įor a while, the episodes were also available for free (legally) on both YouTube and Disney's website, but they've been pulled for reasons unknown. Amazon groups the episodes into "seasons" 101-105, which do not at all correspond to the above definitions, except that "season 105" is the same as season 3. The episodes are on DVD and Amazon Video, but the comics are out of print. When I say "comics" without qualification, I mean the SLG comics, not the Marvel comics. Confusingly, this includes a series of Marvel comics. Some other Gargoyles-branded stuff got made, but none of it is canon.
Issues #5-6 were not released individually.
Black and white, 6 issues total, collected into one book which is allegedly titled Bad Guys: Redemption (but it doesn't say "Redemption" anywhere on my copy). Bad Guys, graphic novels also published by SLG from '07-09.Issues #9-12 were not released individually. Color, 12 issues total, collected into two books of six each. Clan Building, graphic novels published by Slave Labor graphics from 2006-09.You will sometimes see fans refer to this as "TGC."
Season 3: The only season of Gargoyles: The Goliath Chronicles, which originally aired on ABC in '96-97.Season 1 is 13 episodes long and season 2 is 52, for a total of 65 (TVTropes link). Seasons 1 and 2: Both seasons of Gargoyles, which originally aired on the Disney Channel in 1994-96.I will be using that (Weisman has a credit) as a practical definition of the Weisman canon. Broadly speaking, Weisman considers things to be canonical if he had creative control over them, which is typically reflected by a writing or executive producer credit on the work in question.
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